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Acid-Free Mount Boards: The Ultimate Guide to Preserving Your Artwork

That cherished family photograph, that spectacular print you fell in love with… what if the very frame meant to protect it is causing silent, irreversible damage? It’s a common fear, and the culprit is often an invisible threat: acid, leaching from standard materials and causing those dreaded yellow stains and faded colours. This is where the true craftsmanship of preservation comes into play, and it starts with a crucial, yet often overlooked, component: using premium acid-free mount boards for framing.

But what does ‘acid-free’ really mean, and is ‘conservation grade’ truly worth the investment? We understand these technical terms can feel daunting when you simply want to create a beautiful, long-lasting display for your home. In this guide, we’ll demystify the world of professional framing. We will show you exactly why these materials are essential for protecting your art’s colour, quality, and value, giving you the confidence to ensure your treasured pieces are preserved perfectly for generations to come.

What is a Mount Board and Why Does ‘Acid-Free’ Matter?

A picture mount, often called a mat or passe-partout, is far more than just a decorative border. It performs two crucial jobs in professionally framed art. Aesthetically, it creates a beautiful visual space between the artwork and the frame, preventing the piece from feeling cramped and drawing your eye inward. Functionally, it serves as a vital spacer, keeping the artwork from touching the glazing (the glass or acrylic). This separation is essential to prevent moisture buildup, mould growth, and the artwork physically sticking to the glass over time. For a deeper dive into its purpose, Wikipedia offers a comprehensive explanation of what a mount board is and its history. However, the material your mount is made from is the most critical factor in long-term preservation.

To better understand the critical difference these materials can make, this short video offers a clear visual guide:

Lurking within standard, budget-friendly mount boards is a hidden enemy to your art: acid. Most low-cost boards are made from wood pulp, which contains a natural compound that slowly degrades your precious pictures. This process causes permanent, irreversible damage known as ‘acid burn’, a sad fate for any cherished photograph or print. This is why investing in professional, acid-free mount boards for framing is not a luxury, but a necessity for true preservation craftsmanship.

The Science of Acid Damage in Framing

The primary culprit is a substance called lignin, a natural polymer that holds wood fibres together. Over time, and especially when exposed to light and humidity, lignin breaks down and releases acid. This acid then migrates from the mount board and backing paper directly into your artwork, causing the paper fibres to weaken and discolour from the inside out. This creates the tell-tale yellowing and staining that permanently ruins the original piece.

Spotting the Signs of Acid Burn on Old Pictures

You have likely seen acid burn without realising it. The most common sign is the bevelled edge of the mount turning a distinct yellow or dark brown. On the artwork itself, you may see a brownish stain that mirrors the shape of the mount window. The paper may also become incredibly brittle and fragile to the touch. Sadly, once this damage occurs, it cannot be undone, highlighting the importance of using the correct conservation materials from the very beginning.

The Different Levels of Mount Board Quality Explained

When it comes to framing, it’s a common misconception that all mount boards are created equal. In reality, the material touching your artwork plays a crucial role in its long-term preservation. The Fine Art Trade Guild recognises several quality levels, but for preserving your art, three main tiers matter. Choosing the right one is the first step in providing the perfect home for your picture, ensuring it’s protected for years to come.

Standard Mount Board (Level 4)

Often found in inexpensive, ready-made frames, standard mount board is made from wood pulp that contains acidic compounds like lignin. While it looks fine initially, this acid will leach into your artwork over time, causing the board to yellow and your art to suffer from discolouration and embrittlement. This type of board is only suitable for temporary displays or items of little sentimental or monetary value.

Conservation Mount Board (Level 2)

This is the professional standard for most bespoke framing and a fantastic investment for your cherished pieces. Conservation boards are made from wood pulp that has been chemically purified to remove all acid and lignin. They are also buffered with an alkaline substance, like calcium carbonate, to maintain a pH of 7.5-9.5. This buffer neutralises any future acid attacks from the environment, protecting your artwork for decades. This approach is consistent with the Library of Congress preservation guidelines for archival materials.

Museum Mount Board (Level 1)

Representing the pinnacle of preservation, museum mount board is crafted from 100% cotton fibre. Cotton is naturally lignin-free and acid-free, making it the purest material available. This is the quality used by museums, galleries, and serious collectors to protect priceless or historically significant works. When you need to ensure your artwork lasts for centuries, premium acid-free mount boards for framing at museum level offer the ultimate peace of mind.

Feature Standard Board Conservation Board Museum Board
Material Wood Pulp Purified Wood Pulp 100% Cotton Fibre
Acid & Lignin Present (damaging) Removed & Buffered Naturally Free
Protection Lifespan 1-5 years Decades (30-50+ years) Centuries (100+ years)
Best For Temporary Displays Fine art prints, photos, original art Valuable, historic, or heirloom art

Ultimately, the right choice depends on the value-both sentimental and financial-of your artwork. By understanding these tiers, you can confidently select the perfect mount board to protect your art beautifully for a lifetime.

How to Choose the Right Acid-Free Mount for Your Artwork

Understanding the science behind acid-free materials is the first step. Now, let’s move on to the art of selection. Choosing the right mount board is a beautiful balance between protecting your piece for a lifetime and enhancing its visual appeal. This practical guide will help you select the perfect stage for your artwork to shine.

Consider the Artwork’s Value

The level of preservation you need is directly linked to the value-both monetary and sentimental-of your artwork. Not all acid-free mount boards for framing are created equal, so match the grade to the piece.

  • Original Art & Limited Editions: For any piece that is an investment or one-of-a-kind, always opt for Conservation Grade. It provides the necessary protection to preserve its condition and value.
  • Family Heirlooms & Sentimental Photos: These items are irreplaceable. They deserve the same high level of care as fine art to prevent fading and deterioration, ensuring they can be passed down through generations.
  • Historically Important or Highly Valuable Pieces: For the ultimate in preservation, Museum Grade is the only choice. This isn’t just a recommendation; it’s a critical step to prevent irreversible damage, a fact underlined by leading art conservation experts who stress the importance of archival materials.

Choosing Colours and Textures

The mount is the bridge between your artwork and your room’s décor, and its colour can make or break the final presentation. The classic advice is to choose a neutral, off-white tone that won’t compete with the art. Alternatively, selecting a subtle secondary colour from within the piece itself can beautifully tie everything together.

Consider a double mount to add depth and a sophisticated finish. This technique uses two layers of board, allowing you to introduce a slim border of a complementary accent colour that makes the artwork pop. Finally, don’t forget texture; from perfectly smooth to subtly textured surfaces, the finish of the board can add another layer of bespoke detail.

What to Ask Your Professional Framer

A professional framer is your partner in preservation and presentation. To ensure you receive the quality your artwork deserves, don’t be afraid to ask specific questions. A trustworthy framer will be happy to share their expertise.

Key questions include:

  • Do you use conservation-grade, acid-free mount boards as standard?
  • What level of framing does the Fine Art Trade Guild recommend for this particular piece?
  • What mount width and proportions will best balance the artwork visually?

Getting these details right is part of the craftsmanship of bespoke framing. Our experts at First4Frames can guide you through every choice, ensuring your final piece is both perfectly protected and beautifully presented.

Beyond the Mount: Creating a Fully Archival Framing Package

Choosing premium acid-free mount boards for framing is a fantastic first step in preserving your artwork, but it’s just one piece of the puzzle. A truly professional, archival frame is a complete preservation system, where every component works in harmony to protect your art from harm. It’s this holistic approach that separates a decorative frame from a genuine conservation-grade solution, ensuring your cherished piece remains as vibrant as the day it was created.

Acid-Free Backing Boards and Tapes

The backing board sits directly behind your artwork, making its composition critical. Standard MDF or cardboard backings are highly acidic and will leach damaging chemicals into your art over time, causing yellowing and brittleness. A professional framer will always use a conservation-grade, acid-free backing to create a safe, stable environment. For added protection against moisture from walls, an archival barrier board can be included. Likewise, the tapes used to secure the art are crucial. Common household tapes will fail and leave a sticky, acidic residue, whereas specialised acid-free hinging tapes hold the art securely while being completely reversible and safe for the paper.

The Role of UV-Protective Glazing

Beyond chemical damage, the single biggest threat to your artwork is light. Ultraviolet (UV) rays, present in both sunlight and artificial light, break down pigments and cause irreversible fading. The glazing-the glass or acrylic at the front-is your primary shield against this threat.

  • Standard Glass: Blocks approximately 45% of UV rays, offering minimal protection.
  • Conservation Clear Glass/Acrylic: A professional standard that blocks over 99% of harmful UV rays.
  • Museum Glass: Offers the ultimate protection, blocking over 99% of UV rays while having incredible anti-reflective properties for crystal-clear viewing.

When you combine high-quality acid-free mount boards for framing with archival backing, proper tapes, and UV-protective glazing, you create a complete fortress for your art. This professional approach is the difference between a frame that simply looks good and one that actively preserves your investment for generations to come. It’s this commitment to craftsmanship that defines every piece you’ll find in our online gallery.

Why Professional Framing is a Worthy Investment

Throughout this guide, we’ve explored the crucial role that archival materials play in protecting your cherished artwork. From preventing yellow stains to stopping irreversible chemical damage, the choice of mount board is more than just a decorative decision-it’s an act of preservation. This is where professional framing elevates itself from a simple service to a vital investment in your art’s future.

When you choose expert framing, you’re not just buying a border for your art. You are investing in:

  • Longevity: Protection against fading, discolouration, and chemical damage from acidic materials.
  • Value Preservation: Safeguarding both the financial and sentimental worth of your piece for years to come.
  • Superior Aesthetics: A bespoke design that perfectly complements your artwork and your home’s decor.
  • Peace of Mind: The confidence that comes from knowing your art is protected by expert craftsmanship.

Long-Term Value vs. Short-Term Cost

A budget off-the-shelf frame may seem like a bargain, but it’s often a false economy. These frames are typically constructed with acidic backings and low-quality mounts that can leach harmful chemicals, causing that familiar yellow “burn” on your artwork. In a few short years, you may find yourself not only replacing the frame but facing the heartbreaking reality of a ruined print or photograph. Think of professional framing as insurance for your art. By using premium acid-free mount boards for framing and conservation techniques, a bespoke frame is built to last a lifetime, ensuring your art remains as vibrant as the day you first saw it.

The First4Frames Commitment to Quality

At First4Frames, we believe exceptional care should be the standard. Our commitment to quality means we exclusively use conservation-grade, acid-free materials for every project we undertake. With over 20 years of experience, our team combines technical precision with an artist’s eye, ensuring every frame not only protects but also enhances the artwork within. We treat every piece with the respect it deserves, providing a hassle-free service that delivers a perfectly finished result, ready to hang and admire for decades to come.

Don’t leave the future of your artwork to chance. Protect your art for generations and get a bespoke framing quote today.

Your Artwork’s Future: Secured with Professional Framing

As we’ve explored, the mount board plays a monumental role in the life of your artwork. It’s far more than a decorative border; it is the first line of defence against acid damage and environmental harm that can cause irreversible fading and discolouration. Understanding the difference between standard, conservation, and museum-grade boards empowers you to make an informed choice, safeguarding your piece for generations to come.

Making the right choice is the first step, but for true peace of mind, a professional touch makes all the difference. Using the correct acid-free mount boards for framing is a non-negotiable part of a complete archival package. At First 4 Frames, we bring over 20 years of expertise to every project, adhering to strict Fine Art Trade Guild standards and using premium, conservation-grade materials as our benchmark for quality and longevity.

Let our passionate team create a beautiful, bespoke frame that not only enhances your art but protects its legacy. Explore our bespoke framing services and protect your art today.

Frequently Asked Questions

How can I tell if my current picture mount is acid-free?

The most telling sign of an acidic mount is discolouration over time. Examine the bevelled edge that touches your artwork. If this edge has yellowed or turned brown, it is a clear indication of “acid burn” from a low-quality board. For a definitive answer, a professional framer can perform a pH test. At First 4 Frames, we use only premium, conservation-grade materials to ensure your beautiful artwork is perfectly preserved for years to come.

How long does an acid-free mount board last?

A high-quality, conservation-grade acid-free mount board is designed for exceptional longevity. Under normal home conditions, away from direct sunlight and excessive humidity, it can easily last for many decades, often for the entire lifetime of the artwork it protects. This is a stark contrast to standard acidic boards, which can show signs of degradation and yellowing in as little as five years, compromising the piece they are meant to display.

Is ‘pH neutral’ the same as ‘acid-free’?

While related, they are not quite the same. ‘pH neutral’ means the board has a pH of 7.0 when it is manufactured, but it can absorb acidic pollutants from the atmosphere over time. A true ‘acid-free’ or ‘archival’ board is also buffered, typically with calcium carbonate. This alkaline buffer actively neutralises acids that the board may absorb in the future, offering far superior, long-term protection for your fine art. For genuine preservation, always choose buffered acid-free.

Can I buy acid-free mount boards and frame my art myself?

Absolutely! You can purchase acid-free mount boards for framing and assemble the piece yourself if you have the right tools. However, achieving a clean, professional bevelled edge requires a specialised mount cutter and considerable precision to avoid costly mistakes. For a guaranteed perfect finish that truly elevates your artwork, we recommend our bespoke framing service. We handle the craftsmanship so you can simply enjoy the spectacular result without the hassle.

What is the difference between a white core and a cream core mount board?

The difference is purely aesthetic and refers to the colour of the board’s central layer, which is visible in the bevelled cut around your image. A white core provides a crisp, bright white line, lending a clean and contemporary feel to the artwork. A cream core offers a softer, slightly off-white bevel for a more traditional or warmer appearance. The most important factor is ensuring that, regardless of the core colour, the board itself is of archival, acid-free quality.

Does a black mount board also need to be acid-free?

Yes, it is essential. The colour of the mount board’s surface is just a thin decorative paper; the real danger to your art lies within the core material beneath it. An acidic core, regardless of its surface colour, will still release harmful acids over time. These can migrate into your artwork and cause irreversible damage and discolouration. Whether you choose black, white, or any other colour, always ensure it is specified as being conservation-grade and acid-free throughout.

What is the best way to clean the glass on my framed artwork without damaging the mount?

To clean the glass safely, never spray cleaner directly onto the surface. Liquid can easily seep under the edge of the frame and come into contact with the mount board and artwork, causing moisture damage. Instead, lightly spray a small amount of ammonia-free glass cleaner onto a soft, lint-free microfibre cloth. Then, gently wipe the glass, taking care to stay away from the frame edges. This simple method keeps your picture looking pristine without risking harm.

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What is Museum Quality Framing? A Guide to Protecting Your Art

That incredible feeling of finding a piece of art you truly love is unmatched. But with that joy comes a crucial question: how do you ensure its beauty lasts a lifetime, safe from the hidden dangers of light and damaging materials? The world of custom framing can feel intimidating, filled with technical terms like ‘acid-free’ and ‘UV glass’ that can leave you feeling uncertain. This is precisely why understanding what is museum quality framing is so important. It’s more than just a beautiful border; it’s a bespoke promise of preservation, creating a safe, archival home for your treasured artwork.

In this guide, we will pull back the curtain on the craft of professional conservation framing. We’ll walk you through the essential components-from premium glazing to archival mounting boards-that separate a standard frame from one built to last. By the end, you’ll not only have a clear definition but also the confidence to speak with a framer, ask the right questions, and feel complete peace of mind that your art is perfectly protected for generations to come.

Beyond the Buzzword: What ‘Museum Quality Framing’ Really Means

You’ve likely heard the term ‘museum quality framing’ used to describe premium picture frames. But beyond the marketing gloss, what is museum quality framing, really? In short, it’s not a style, but a rigorous set of standards and techniques dedicated to the long-term preservation of your art. Its primary goal is to protect a piece from irreversible environmental damage caused by light, humidity, and airborne pollutants.

While the term can sometimes be used loosely, true museum framing is about craftsmanship that creates a safe, stable, and chemically inert environment for your artwork. It’s a promise that the beautiful piece you invest in today will remain just as vibrant for generations to come.

To see these principles in action, this video offers a fantastic overview:

The Core Principle: Preservation Over Decoration

Standard framing often prioritises aesthetics, focusing on how the frame complements the room’s decor. Museum framing, however, puts preservation first. Think of it as the difference between a stylish high-street jacket and a technical arctic parka. One looks fantastic for the season, while the other is engineered with premium materials to protect you from the harshest conditions. A museum-grade frame is that parka; its job is to do the heavy lifting, protecting what’s inside for decades, not just a few years.

Conservation vs. Museum Level: Is There a Difference?

In the framing world, you’ll often hear ‘conservation’ and ‘museum’ used interchangeably, and for good reason. Both are dedicated to preservation. ‘Museum Level’ is simply the highest possible standard within conservation framing. Both methods exclusively use materials that are chemically stable and acid-free, from the backing board to archival matting materials, to prevent yellowing and decay. Crucially, every step is fully reversible, meaning the artwork can be removed from the frame in the future in its original, untouched condition.

The 4 Pillars of Museum Quality Framing: Materials Matter

So, what is museum quality framing at its core? It’s not about a single expensive material, but a complete protective system. Think of it as four pillars working in harmony to create a safe, stable environment for your artwork. Each component plays a critical role, and compromising on even one can undo the good work of the others. Let’s explore these four essential pillars and why the right materials are the foundation of true, lasting preservation.

Pillar 1: Protective Glazing (Your Artwork’s Sunscreen)

Standard picture frame glass is like sunglasses without UV protection-it looks the part but offers no real defence. Harmful UV light is one of the biggest threats to your art, causing vibrant colours to fade and paper to become yellow and brittle over time. We use glazing like Conservation Clear®, which blocks 99% of damaging UV rays. For ultimate clarity, options like Museum Glass® offer the same protection while also minimising reflections, making it feel like there’s nothing between you and the art.

Pillar 2: Acid-Free Mountboard & Matting (Preventing Mat Burn)

Have you ever seen an old picture with a brown, discoloured line around the edge of the image? That’s ‘mat burn’. It’s caused by acid from standard wood-pulp mountboards leaching into the artwork, causing permanent damage. To prevent this, we use only museum-grade mountboards made from 100% cotton rag. This material is naturally acid-free and lignin-free. As detailed in the National Park Service’s guide to caring for paper objects, using archival-quality materials is non-negotiable for preservation. While colours and textures are important for aesthetics, the archival quality of the board is always our first priority.

Pillar 3: Archival Backing Board (The Unseen Guardian)

The backing board is the final layer of defence, sealing the frame from behind. Common materials like MDF, wood, or standard cardboard are disastrous for artwork, as they contain acids and chemicals that can seep into your piece over time, while also absorbing moisture from the air. A museum-quality frame is finished with a solid, acid-free backing board that acts as a barrier against dust, pollutants, and humidity changes, completing the protective sandwich that keeps your art safe.

Pillar 4: Reversible Mounting Techniques (Doing No Harm)

How the artwork is secured within the frame is just as important as the materials surrounding it. Your precious art should never be permanently glued or stuck down with standard tape. These adhesives can cause irreversible stains and damage. We follow the principle of “do no harm” by using conservation-grade mounting techniques, such as attaching the art with Japanese paper “hinges” and acid-free wheat starch paste. This process is strong yet fully reversible, meaning the art can be safely removed from the frame years from now without a trace.

The Framer’s Craft: Techniques That Complete the Protection

Having the finest materials is only half the battle. The true artistry and protective power of museum quality framing comes to life during the assembly process. Even premium conservation-grade materials can fail if not handled with expert precision. This is where decades of professional craftsmanship make all the difference, transforming a collection of high-quality components into a seamless, protective environment for your artwork. The answer to what is museum quality framing lies as much in the framer’s hands as it does in the materials they use, a principle central to the Fine Art Trade Guild framing standards.

Creating a Sealed Environment

A crucial step in professional framing is to create a sealed “package” that isolates your artwork from the outside world. A skilled framer meticulously seals the back of the frame, typically where the backing board meets the frame itself. Using specialised, acid-free framing tape, they create an airtight barrier. This simple but vital technique prevents dust, humidity, insects, and airborne pollutants from creeping into the frame over time, ensuring the micro-environment inside remains stable and clean for decades.

Using Spacers: Why Art Shouldn’t Touch the Glass

One of the golden rules of art preservation is that the surface of the artwork should never touch the glazing (the glass or acrylic). Direct contact creates a risk of condensation transfer, which can lead to mould, mildew, or foxing. In humid conditions, the artwork can even physically adhere to the glass, causing irreversible damage upon separation. To prevent this, a professional framer uses spacers. Often, the window mount provides the necessary air gap, but for images framed “full-bleed” to the edge, hidden plastic or wood spacers are fitted inside the frame’s rebate to create that essential breathing room.

Is Museum Quality Framing Right for Your Artwork?

After exploring the premium materials and meticulous craftsmanship involved, the crucial question remains: is this level of protection the right choice for your piece? Understanding what is museum quality framing is one thing; deciding to invest in it is another. This is not about spending more, but about investing wisely in the future of your artwork.

To help you decide, we’ve created a simple framework based on value-both monetary and sentimental.

When to Invest in Museum-Level Protection

This premium level of protection is an act of preservation, ideal for pieces you truly cherish or see as a long-term asset. We strongly recommend it for:

  • Original Artwork & Limited Edition Prints: Pieces like Giclée prints, original paintings, or signed photographs have inherent value that is worth protecting from fading and degradation.
  • Items of High Sentimental Value: A faded wedding photograph or a brittle family letter is irreplaceable. Archival framing preserves these precious memories for the next generation.
  • Valuable Memorabilia: Signed sports jerseys, historical documents, or concert tickets can be damaged by the acids in standard materials. Museum framing safeguards their condition and value.
  • Art as an Heirloom: If you intend for a piece to be passed down through your family, conservation framing is the only way to ensure it survives in pristine condition.

What Might Not Need Museum Framing?

Our passion for art includes providing honest advice. Not every piece requires this level of investment. Standard framing is often perfectly suitable for:

  • Decorative or Open-Edition Prints: If a poster or print is easily and inexpensively replaceable, archival protection may not be necessary.
  • Children’s Art: For those wonderful creations you plan to rotate and display seasonally, a simple, safe frame is a great choice.
  • Short-Term Displays: If you’re framing something for a temporary event or a non-critical environment, you may not need long-term conservation features.

The Long-Term Value of Proper Preservation

Think of museum quality framing not as a cost, but as an insurance policy for your art. An investment of a few hundred pounds in a bespoke, archival frame today can prevent thousands in potential restoration fees caused by UV damage or acid burn years from now. It’s the most effective way to protect your artwork’s integrity and financial worth.

Your artwork tells a story. Our job is to ensure that story can be told for generations. Have a special piece you’d like to protect forever? Talk to our experts about bespoke framing.

Your Art’s Legacy Starts with the Right Frame

As we’ve explored, museum quality framing is far more than an elegant border for your wall. It is a complete preservation system, built on the essential pillars of archival materials-from UV-filtering glazing to acid-free mount boards-and assembled with meticulous, professional techniques. This approach actively safeguards your artwork from the irreversible damage caused by light, acid, and environmental factors, ensuring its vibrancy and integrity remain for decades to come.

Ultimately, understanding what is museum quality framing is the first step toward becoming the true custodian of your art. At our Falkirk workshop, we combine a passion for art with artisan craftsmanship. With over 20 years of bespoke framing experience, we use only the highest quality conservation and museum-grade materials to give every piece the protection it deserves.

Protect your treasured art for generations. Get a bespoke framing quote from our experts. We look forward to helping you create the perfect, protective home for your masterpiece.

Frequently Asked Questions

How much more expensive is museum framing than standard framing?

While prices vary based on size and materials, you can generally expect museum quality framing to cost two to four times more than a standard option. This reflects the premium, archival materials used, such as 99% UV-protective glazing, acid-free mount boards, and conservation-grade backing. This investment is a crucial part of our bespoke craftsmanship, ensuring your precious artwork is protected against fading and degradation for the long term, making it a worthwhile cost for valuable pieces.

Can you upgrade an existing frame to be museum quality?

Absolutely. If you love your current frame moulding but want to enhance its protective qualities, we can perform a professional “re-fit.” This involves carefully replacing the existing components with archival materials. We can swap out standard glass for UV-protective glazing and replace acidic mount boards and backing with 100% acid-free, conservation-grade alternatives. This effectively upgrades your frame to meet museum standards, preserving the art within while keeping the look you love.

How long will museum quality framing protect my art?

When properly cared for, museum quality framing is designed to protect your art for a lifetime, and often for future generations. The archival materials dramatically slow the aging process by shielding the artwork from UV light, pollutants, and acid damage. While no method can stop time completely, this level of professional framing ensures your piece remains vibrant and beautifully preserved for many decades, far surpassing the protection offered by standard, off-the-shelf frames.

Does UV-protective glass look different from normal glass?

Modern UV-protective glazing is remarkably clear and, in many cases, offers a better viewing experience than standard glass. Premium options, often called “museum glass” or acrylic, feature anti-reflective coatings that reduce glare and make the glazing seem almost invisible. There is no yellow or distracting tint. This technology provides an uncompromised, crystal-clear view of your artwork’s true colours and details while blocking up to 99% of harmful ultraviolet rays.

What is ‘mat burn’ and how can I spot it on old pictures?

Mat burn is the brownish or yellowish discolouration that appears on artwork where it touches an acidic mount board. You can spot it as a dark, burned-looking line on the paper that perfectly follows the bevelled edge of the old mat. This damage is caused by acid leaching from the wood pulp in standard boards over time. Preventing this is a key part of the answer to what is museum quality framing, as we only use 100% acid-free, archival mount boards.

Are the frame materials (the wood or metal) also archival?

Yes, the frame moulding itself is an integral part of a complete archival package. We source only the best materials, using stable, high-quality woods with inert finishes or durable metals like aluminium for our bespoke frames. This ensures the structure is not only beautiful and strong but also chemically stable. A premium moulding will not degrade or release any harmful gases that could damage your artwork, completing the 360-degree protective enclosure your piece deserves.